Tuesday, 8 December 2009
Embarrassed by the beat of our own drum...
This is now old news but I was shocked to hear that the Cadbury advert (with the Zingolo song I can't seem to get out of my head) received complaints for being racist! Cadbury were cleared of any wrong-doing and rightly so in my opinion. When I first saw the advert, I couldn't stop smiling because Ghana is my home country and it was great to see a positive depiction of Africa for once aside from those "For £2 A Month" adverts.
So when I heard that people were actually offended due to the use of "racial stereotypes", I had serious 'rolling of the eyes' action going on. "Racial sterotypes"?!?!? Was the nose on the mask too big? Were the people in the village dancing too wildly? Were the people in the village too black? That was a traditional African street party if I ever saw one so it leads me to think that these cries of racism are in fact outcries of embarrassment. This is OUR culture. Deal with it! Are you embarrassed because now Paul from the office is finally going to realise you are an African and that posh, restrained, "I was born in England" cover you had for the last 5 years is blown? To be accepted in this country, people adapt, different faces and demeanors for different situations, I fully understand that. But when faced with our history, culture, tradition, ethnicity - it's no longer time to hide behind that British passport. I think we should accept it, embrace it and thank Cadbury's for showing the colourful, vibrant side of Africa that I know and love.
Monday, 9 November 2009
Black British, Black African or Mixed? Tick your box...
As part of Channel 4's Race and Science season, 'Is It Better To Be Mixed Race?' went on a 'scientific' journey to find out whether coming from a mixed gene pool is actually better that being born from parents who are from the same genetic pool, i.e. same country. It went on to conclude that it is better to a certain degree as it means that the individual is not as susceptible to certain diseases that are prone in certain races e.g. diabetes in Black and Asian communities. They also noted that lifestyle also plays a major role.
With the mixed race population in the UK growing at an incredible rate, is there the risk that the hubbub of cultures that are present today will simply disappear? Arguments against mixed race relationships include that there is a dilution of culture and tradition where unique country-specific traits are lost as each new mixed race generation steps forward. This argument even extends to relationships between individuals within the same race but differences lie in the country they come from and the religion they practice e.g. Nigeria and Jamaica or Hinduism and Islam....come on, some time or another, I suppose a few us have had our parents look us sternly in the eye and say "You can marry whoever you like....as long as they are from (fill in the blank with appropriate country...your own!)."
In some ways I can understand, especially with parents who are not from the U.K and have strong ties to their country, village and even church back home. Living in the UK and having children who are from a place entirely different to them, I can understand their fear that if their children fully adapt to the British way of life and then have children who do not have strong cultural influences in their lives, the culture and everything they believe in will die.
Personally, I am all for the mix and blend. Just because you date outside of your culture and country, it doesn't necessarily mean that you lose this element that is often so embedded in your personality and way you behave. I have had plenty of Aunties who have suddenly turned up to an African party with an 'Uncle Barry' on their arm, complete with cockney accent and all. She didn't lose her culture, in fact they just embraced each others. If you love your culture then you should have no trouble keeping it alive.
What are your thoughts? Is it a big deal to marry inside of your country of origin and culture? Even though being mixed may be best for our health, is it best for our identity?
Black British, Black African or Mixed? Tick your box...
Sunday, 11 October 2009
Little White Lies...
I wanted to see 'The Invention of Lying' last week...but I was a pushover and saw District 9 instead! Anywho, 'The Invention of Lying' sees Ricky Gervais' character living in a world where no-one lies, not even little white ones. Then luckily for him, he discovers that he has the ability to bend the truth and the world becomes his oyster.
Just watching the trailer I thought not only would it be hilarious if everyone told the absolute truth but also how refreshing it might actually be. We have become a nation of 'white liars' - sometimes to get ourselves out of trouble e.g. "Nah it's not that I forgot to call you, it's just that I fell asleep. That's different". Or sometimes to spare someone's feelings e.g. "Yes of course he likes you Sherice, he probably just fell asleep, it's not like he forgot to call you. That's different".
I have a friend that, how can I say it, doesn't really mince his words and I used get on him about that...but what's really wrong with telling people how it is. My issue is when people lack tact. Yes, you can tell someone that their breath stinks so they should back up, but there is a way that you do that in order to minimise the stab of pain to the heart they will feel as a result.
How great would it be though: people wouldn't play mind games in relationships, you could tell your boss he's a twat and he'd probably agree with you and you could finally tell your best friend that her weave is seriously not working for her. All without sugar coating - it would save us all a lot of time and brainpower. One thing for sure is that we'd all need to develop thicker skins!
Say what you feel or add a coating of sugar or two? What type are you?
Little White Lies...
Sunday, 13 September 2009
Is it really that unbeweavable?
If you know me then you will know how much I love Top Model and Tyra Banks especially. Last week, season five of her Emmy award winning programme 'The Tyra Banks Show' premiered surrounded by much hype. After years of being seen in wigs, weaves and extensions, she revealed to the world her 'real hair'...and proved to everyone that contrary to belief, she is not bald! Click here to see what she had hiding under those Asia-imported lace fronts (select the clip titled "Oscar Works Magic On Tyra's Real Hair').
The issue about hair has been around for a long time but more recently it has been propelled into the spotlight by Chris Rock's 'Good Hair' documentary, which was screened at the Sundance Festival and will soon receive a nationwide release in the States. Not too long ago Tyra also did an episode titled 'What is Good Hair?', addressing the issues that African American women have with the natural texture of their hair. If you have some time to spare, I would recommend watching this as some of the points raised are both interesting and also slightly disturbing, especially when listening to the thoughts of the young girls featured. For example, one child considers 'nappy' hair to symbolise lower class and one mother actually chemically relaxes the hair of her three year old daughter!
While there are many theories about black women wanting to change their appearance to be more acceptable to society and issues about deep rooted self hatred, I'm not going to go there. The question I am asking here is how much is hair simply a style choice and how much is it something that defines who you are?
People are always talking about the pros and cons of wearing a weave and last year, my friend over at No Work All Play did a hilarious blog post about the Weave Epidemic. While he has a point about maintenance, to me, hair is just the stuff on the top of your head. While I have never seen anything wrong with wearing a weave, extensions or hair pieces I have never had a weave, only ever had tracks in once (which I didn't like) and extensions probably twice. I've cut my hair to four inches long, coloured it numerous times and retouch it every 6 weeks. I see hair as an accessory. The same way I may want a pair of funky coloured shoes is the same way I would want a different hair style every so often. Yes, hair can be a reflection of my current mood or an image but at the end of the day I'm still me; I still love watching corny rom-coms and fashion programmes on TV, I still get annoyed by slow-walking people on Oxford Street, I still want a husband and three kids - I don't change...but the way I am perceived does.
Some may argue that hair is a reflection of a person. Along with clothes, it communicates an image to others. But come on, we all know that image is just that - something projected to the outside world that doesn't necessarily mirror our personality and stance on life - that's the job of our character, identified by what we say and do. But does this make hair, clothes and image any less important? Is how you are perceived critical to well being, love, life and success?
Unfortunately, I would say a huge yes! In our society, this is how initial judgements are made. There's not always time for second impressions. A couple of years back Glamour magazine in the States was involved in a little bit of controversy when an article about office do and don'ts highlighted that wearing an afro to work would be seen as unprofessional. While that person with an afro could have the most professional conduct on the entire floor, this goes to show how far society goes to make judgements on a person based on their hair. Nowadays, you can look around a club and decide on a girl or guy's personality without even speaking to them. Look, the girl in the Beyonce weave is fake and high maintenance, better steer clear of that one. Oh look at the one with the Rihanna hair cut....uh uh, she looks like she will smash up my car if I dare miss a call from her. Wow, look at that guy's sharp, precise shape up...he might just be batting for the other team. And the girl with the natural beaded hair....I bet she doesn't shave her legs. Absolute nonsense, I know but we all do it.
Watching the Tyra clip especially, there is the belief that relaxing your hair, wearing a weave etc gives the perception that you are ashamed of your black culture. Are you more proud to be Black, White, Hispanic or Asian if you wear your hair in its natural state? This is not just a 'black thing'. People with straight hair may have a perm to make their hair unnaturally curly...does this mean that they are trying to run away from their heritage. Or is it different just because black people have a reason to be running away? Does relaxing my hair mean that I am less proud of my heritage than someone who keeps it natural? I could be someone who can speak an African language, have travelled to the 'motherland', talk to my work colleagues about my culture and can cook the food but standing next to someone who wears their 'real hair', to some people I am perceived as not embracing my culture.
Long, short, afro, relaxed, weave, extensions, coloured whatever. It's just hair. Outward appearances are always going to be judged but its about letting your integrity and character shine through...and its always nice to prove people wrong.
Is it really that unbeweavable?
Wednesday, 26 August 2009
You're Beautiful, Woman - and you're smart too!
Kemi Bespoke Artistry - bridal makeup, fashion, editorial, makeup classes
Alexandra Galleries - online art gallery, event listing and source for African American prints, posters and original art.
The Salad Master - a healthy eating cooking system. By the way, that delicious chocolate cake you see on the right was made using all the vegetables you see in the Salad Master. No word of a lie - healthy chocolate cake! And it tasted great!
Pebbles Wearable Art - made to measure authentic clothing maintaining the uniqueness of African fashion.
You're Beautiful, Woman - and you're smart too!
Monday, 3 August 2009
TREND ALERT: The new therapy
Over the last few weeks, we've seen the explosion of this new trend. Certain celebrities have been turning to their computers instead of their psychiatrists and putting their emotional oubursts out there for all to see. First there was Soulja Boy feeling pressures of the music industry and 'expressing' himself via Twitter. Then Bow Wow got a little 'attention-envy' and wrote a suicidal-note-like message, again using Twitter. Next was another member of the young Hollywood crew, Teyana Taylor, who when reading both love and hate messages from the public, couldn't contain her "tears of joy". Most recently, American basketball player Stephon Marbury broke down while listening to a Kirk Franklin track - all with his webcam switched on.
All the examples above signal some deeper emotional issues that need to be dealt with, but what happened to writing in a diary, talking to your best friend or ahem...seeking professional help? Now the obvious explanation for all of this is that these are cries for attention. People in the limelight tend to have that performance gene, they thrive putting on a show and receiving that round of applause from the crowd before they take a bow. Perhaps, after a while this recognition from the public becomes more like personal validation and they start to constantly seek it in order to feel good about themselves, relying on it even to maintain their self-esteem.
But before we all jump on their backs yelling "low self esteem, fame-hungry, losers", are they that much different from all the 'regular' people on Twitter, Facebook and bloggers? Ok, while not all shed tears, I have personally witnessed Facebook status posts reading "I've had enough", "Why is this happening" and "I can't take this anymore". On a couple of occasions I've been close to replying with the number for the Samaritans! Twitter, the same, people post up their thoughts, opinions and feelings for other people to read. Do tweeters feel validation when somone replies to their post, agrees with them, retweets what they said or even follows them? They probably do. So does this also fit in the 'cry for attention' box? And bloggers - I know I'm talking about myself when I say this but is this blogging world a place where we become celebrities ourselves? Ok, no-one is going to be showing their house in the pages of OK magazine anytime soon, but as you gain more followers, people begin to recognise your name and blogs start to be taken more seriously a pieces of journalism, is it JUST about writing about the topics you are interested in? Isn't it also about the public recognition and acceptance? If it was just about the writing, then we'd all be blogging anonymously right!?!
Let's put it down to self-expression - its a way to air your views and speak your mind. However, where do we draw the line? At what point do we go "hey, I'm gonna keep this private, its way too personal to put out there". Is talking going to become redundant as we all become a nation of status posts? It's just something I've been thinking about. Social networks and other online broadcasting tools seem to be blurring the lines of friendships, privacy and what should and shouldn't be said or shown. So with a new outlet for 'self-expression', whether its micro-blogging via Twitter, vlogging via YouTube or just setting up your own page, who needs a therapist?
Would love to hear your thoughts: tweeters, Facebookers, Bloggers, why do it and where do you draw the line?
TREND ALERT: The new therapy
Tuesday, 28 July 2009
Pat Younge on diversity in the television industry
Hey
On Monday, I attended an evening with Patrick Younge hosted by presenter and journalist Krishnan Guru-Murthy. Pat has recently been appointed as the Chief Creative Officer of BBC Vision, making him the most highly placed figure from a minority background in the television industry. This event was also the launch of the British Black and Asian Programme Maker's Collective, aka The TV Collective. Their aim is to provide a network where people can debate, showcase ideas, support and brainstorm ways of tackling the issue of diversity in television and the event on Monday was a sign of great things to come. With growing support from the industry including former MP Oona King, who is now Head of Diversity at Channel 4, I guess now is the time for action.
Pat has had a long career working in television and most recently headed up The Travel Channel in the United States. In his new role at the BBC, he will be responsible for comedy, drama, entertainment and children, with shows including Strictly Come Dancing, Doctor Who, Top Gear and EastEnders in his control. At last year's Edinburgh Television Festival, he famously remarked that diversity targets should be like financial targets and if people failed to hit them, then they should be fired. With this strong desire to make the industry less white and middle class, it will be interesting to see if there are any visible changes both at the BBC and in television in general over the next few years.
Here are the key points/learnings I gained from the evening:
Diversity is not only limited to race, although it is often the first thing that comes to mind. The television industry needs to be more inclusive in terms of gender, culture, age, disabilities and probably most importantly class. The industry is still regarded as one full of Cambridge and Oxford types, who have the insider information, knowledge of the unwritten rules and industry contacts that people from working class communities, (white working class included) do not have. This is a major barrier that needs to be challenged.
There has been progress over the years in regards to the people we actually see on our screens; actors, actresses, newsreaders, presenters and television personalities in general - although it might not be as much as we would like, we have definitely seen a wider representation of people looking back at us than ten years ago. However, it's behind the camera that the major problem lies. Behind the camera is where the power and the decision making is and if there is a narrow range of views, opinions and perspectives there, then that will be reflected on the television channels. Pat highlighted ITV for not having any commissioners from ethnic backgrounds and that this is evident in their programming. Therefore, here is where action is urgently needed. Training schemes that nurture talent, give people the opportunity to get their foot in the door and also develop their skills along their career path is a key way ensuring that in the future, executives at the top of the television industry are more representative of the audiences they serve.
Pat gave a useful piece of advice for people aspiring to work in television: know what you are good at. Not everyone is good at presenting or directing or producing or developing creatives. Pat's skill is managing and nurturing talent. Work out what your skill is and hone it to ensure that your not a jack of all trades and master of none. You'll probably progress in your career much faster. Also, it's important to know that there are so many different areas of television that you can get involved in, its not only about producing programmes. Marketing, publicity, finance, legal, talent management - do some research and find a path that suits you.
My personal concern is that in this strive for diversity, it may be all a bit too easy for it to turn into a numbers game. That is often the problem when targets are introduced. I am all for good talent rising to the top and diversity policies should be implemented to ensure that people have the OPPORTUNITY to gain skills and experience that they would not normally have access to. This way, the idea that "the cream of the crop will rise to the top" is one that still stands. However, if in order to meet targets, production companies and television channels just employ to fulfil a quota, then nothing will have really changed.
I also really do hope that this renewed drive is not another soapbox where we highlight the issues but nothing gets done. Remember that there is power in numbers and it is important to not expect too much from Pat's new position - he is only one man who has a range of responsibilities at the BBC, diversity only being one of them. It is up to us to continue to put pressure on the industry and transform all this talk into change. To get involved in The TV Collective, find out about training schemes, jobs and to network visit their facebook group.
What are your thoughts? What are your experiences within the television industry? What would you advise The Collective to do, what would you like to see from them? Speak on it and lets get this ball rolling!
Pat Younge on diversity in the television industry
Sunday, 19 July 2009
Behind every successful man, there is a strong woman...standing in front of a stove.
Hey
This post is inspired by stories I have read recently about high profile men in the entertainment industry and the role their wives play. Tameka 'Tiny' Cottle, former singer of girl group Xscape, now more commonly known as rapper TI's wife/fiance/girlfriend/mother of his children, has allegedly been trying to restart her career for quite a while now. Now that she has her own reality show with Li'l Wayne's ex-wife (please, I don't have the energy to go there!), it looks like she is finally starting to make her own moves. However, she is often reported to say that TI is not completely happy with her ambitions to pursue a career of her own and would much rather she stay a housewife to maintain the home and look after their children. Second story - Tyrese Gibson, Coco Cola bus singer and actor is currently in the process of divorcing his wife. He met her while she was studying in London (yes ladies, we all had a chance!) and then she moved over to the states with him to set up home. Now he's divorcing her, to avoid paying her thousands in alimony, he is allegedly saying that there is no reason why she cannot get a job and pay her own way, despite the fact that he was more than happy for her to be the little stay at home wifey during their five year marriage.
My question here is why do some men meet a successful ambitious female, make her his wife and then resign her to a life of picking out china to match the wallpaper in the kitchen? Can a powerful man be happily married to a powerful women, one that has her own ambitions or must she spend the whole of their married life standing behind that powerful man, holding him up.
Guys, she was ambitious and successful when you met her, it was one of the reasons that you fell in love with her, but as soon as you put that ring on her finger you feel that the best place for her is in the home. Is this fear? Intimidation? Is it a hit to the man's pride that the women has her own and doesn't necessarily NEED them. Neyo sings of Miss Independent, but is that what men really want from a wife? By keeping her in the home, giving her an allowance every month and supplying her with new edition Louis Vuitton handbags, the woman builds up a level of dependency on her fella. It gives him the allowance to do as he pleases, playing on the fear that if she was to leave, she'd leave with nothing (well maybe half).
Or is it less premeditated and manipulative than this and simply down to values that have been instilled in some men over time? Although we have progressed quite a bit from the 1950's, traditional values of the man being the breadwinner and the woman maintaining house and home are still present. Some guys have grown up with that dynamic in their own homes and naturally want it for them and their children too. But can this still work in a time where women are now more career focused than ever?
Out of interest... Guys: would you be more attracted to a career focused woman or one with traditional values of staying home and raising the family? Be honest, do you feel intimidated by powerful, successful women? How would you feel if your wife's career was steps ahead of your own?
Ladies: as females, should we make husband and children a priority over our own career and personal ambitions? Alternatively, would you mind being the breadwinner of the family while the other half takes the role of stay-at-home-dad?
Can two powerful people remain happily married or is it natural for competition and intimidation to take hold?
Let me know your thoughts...
Behind every successful man, there is a strong woman...standing in front of a stove.
Sunday, 28 June 2009
Empowerment vs Exploitation: Are Video Vixens ruining the perception of women?
A few weeks ago, I watched a Dispatches documentary on Channel 4 called Rape in the City. You can still catch it here on 4OD but you only have 12 days left, so hurry. Basically, journalist Sorious Samura was investigating the horrific 'trend' of teenage girls being gang raped by groups of young men and he specifically highlighted that it is becoming more and more common within the black community.
There were many interesting insights revealed by the documentary but what I picked up on was the lack of respect that the young black boys interviewed had for females. Yes, there is the argument that a girl should respect herself first before she expects respect elsewhere - this argument was attributed to the instances where girls initially agree to link a group of guys but then try to back out when they arrive and see 25 guys waiting for them! But there were also instances where rape was used as a form of punishment for snitching or simply because the guys deemed a girl unattractive and wanted to humiliate her. So my question here is when did these young guys lose respect from the female species.
Naturally, Samura brought up the excuse that is used time and time again - music and hip hop's negative portrayal of women is polluting the minds of our youngsters. I am usually one to stand up and argue against this theory - I watch violent films, I listen to hip-hop but I have my own mind and have never acted in a way because a rapper told me to... but is that true? Beyonce had me shaking my booty in the clubs doing the uh-oh dance and Flo-Rida has me dancing provocatively while getting low low low. So can you really say, the things you watch, the music you listen to and the media you expose yourself to doesn't affect your actions and your thoughts, even subconsciously.
What is the feeling about video vixens, glamour models and even the entertainment industry in general where for females especially, sex is how you get ahead. In Hollywood, as an actress your career has a direct correlation to your ranking on Maxim's top 100 Sexiest Women list. Even Beyonce, with her booty shaking and 'make sex with the camera' videos is contributing to the 'male gaze' ideal where women act in a way that makes men want to get physical with them and females want to be the girl that men want to get physical with. Is this culture ruining the way that men see women and therefore the way they respond to them? As previously mentioned, in the words of one of the teens interviewed in the documentary, a guy isn't going to respect a women if she doesn't respect herself. Over the years, females in the entertainment industry who have been described as using their sexuality to promote their career have argued that they are not being exploited at all. That it is a form of empowerment, being sexy is natural and they relish the feeling of making guys succumb to them. But isn't this slightly delusional. Are these women still not submitting themselves to the sexual fantasies of men and therefore not in as much control as they convince themselves to be? With these ideals, then can you blame young men seeing girls as sexual objects first before anything else?
I am not judging here, but putting the thought out there that there is a correlation and that our present culture is to blame for some of the negative things within the community. Some may argue that, its not just the black community, that it's the way the world is, sex sells and even in the days of Marylin Monroe, it was the same. Some females may argue that well if they are getting paid and no-one is forcing them to do anything then what is wrong with that. But clearly something needs to change because I think as the years go by, values that some people may call old fashioned but which I consider to hold together the moral fabric of society, are slowly being unwoven.
And as if it was meant to be, FantasyRide has been invited to 'You're Beautiful, Woman', an event put together by some fabulous ladies including Ronke Adeyemi over at The Musings of Ondo Lady blog. This annual event celebrates black female beauty inside and out and aims to motivate and inspire women to recognise their own self worth in every avenue of their lives. There will be seminars and workshops covering topics such as styling, fashion, natural hair and beauty, relationships, fitness, financial advice and inner beauty. It takes place on Saturday 15 August at Highgate Newton Community Centre. Tickets are only £5 so see the website for more information: http://www.yourebeautifulwoman.com/. Hope to see you there!
Empowerment vs Exploitation: Are Video Vixens ruining the perception of women?
Sunday, 7 June 2009
Us 20 year olds have some serious competition...
For years, since time began, an older man dating a younger woman has been since as acceptable - ok underage cases and age gaps of 30 years plus excluded - but even today, seeing a 20 year old female hanging off the arm of a man that looks like her Dad, doesn't do much to *shock* anymore.
Guys, could you take a cougar? What are your feelings about older women? Would you go there? What do older women have over us young ones?
Ladies, could YOU take a cougar? Standing stand by side, what would you have over her? Would you date a younger man?
Us 20 year olds have some serious competition...
Saturday, 23 May 2009
Cancelled, Cancelled, Cancelled!
Cancelled, Cancelled, Cancelled!
Sunday, 26 April 2009
Bitchassness kills your game, my brothers...
Anywho, while in Miami, I caught the whole of the most recent series of Making the Band...man are they a bunch of sissies!! Drama, crying, making up and breaking up, it was just too much! Now, I'm all for men showing their sensitive side but when they are squaring off to each other with their hands on their hips and doing the chicken neck, I think things just got a little bit too emotional. Willie, Que, Robert, Brian and Mike - I don't find any of them attractive...and their antics on the show don't help either. So my question is.... are reality TV programmes sometimes too real?
With anti-publicity hungry film stars like Matt Damon and even artists like Beyonce, the mystery of what they are like in real life adds to the intrigue and interest in them. As much as I get on Beyonce's back about being a closed book, in some ways it's a great marketing tool - being a mystery keeps people talking about her and buying into what she sells just so that they can maybe get a glimpse of what she is really like. It's like a girl giving it all up on the first date...are guys still interested afterwards?
While shows like MTB, Keeping up with the Kardashians, and Living with the Lohans aim to give 'fans' an insight into the lives of these stars in the hope that it creates an emotional tie to them so that they keep buying into them as brands, the other end is that it shows you way too much of a person, flaws and all. While it seems like the process works, (Day 26 and Danity Kane have achieved success), how long does it last for, will the bubble eventually burst, are they deemed credible enough for me to spend my dollars on (still in Miami mode)? In the end, you realise that these beautiful people who you thought were attractive, the best thing since sliced bread and were people you would scream your lungs out for, are actually like any other person on the street, a brat, or an annoying diva with way too much bitchassness. Still want to buy into that?
Bitchassness kills your game, my brothers...
Sunday, 12 April 2009
Move Over Sex, Swagger Sells Now!
But is swagger ever natural in the first place. Isn't it a bravado, a false exterior presented to the public as part of an image? Inside, the person might be a shy, crumbling wreck, who watches Dr Phil with a box of tissues on his lap.
I just wonder how the three - swagger, confidence and arrogance interact and why some do it successfully e.g. TI, Denzel Washington, Jay Z, Rihanna (this is my list) and others get their heart ripped out on shows like South Park.
What are your thoughts...who makes your top 10?
Move Over Sex, Swagger Sells Now!
Sunday, 22 March 2009
Don't Sleep
How easy is it going to be for Rihanna to get back to her position? Yes, I hear she's partying and back on her grind but considering reuniting with CB back has led to some people no longer seeing her as Queen of the fierce, independent, strong female. Can she regain that postion and overcome all the drama? No point in mentioning CB's career, I think they scattered its ashes last week Friday. (Personally...I don't think it's over - he just needs to rethink his direction).
More interestingly, Shauntelle, pop/RnB singer of the hit 'T-Shirt', also originating from Barbados is slyly using this as an opportunity to get her foot in the door. Keri Hilson is getting a bit more air time with her solo stuff as well as publicity rewarding collabos with Kanye and Lil' Wayne. Even Ciara has finally got a release date for her new album. Whether the sudden push is a coincidence or a well devised plan by music execs, it is definitely perfect timing. So wake up, don’t sleep Rihanna, because I think someone is trying to steal your spot.
Can you think of any other music artists, television shows, actors who fell asleep on the job and lost it?
Don't Sleep
Tuesday, 3 March 2009
Model Search...and no I'm not Tyra
Model Search...and no I'm not Tyra
Sunday, 1 March 2009
Did Eastenders Punk Out?
For those who caught this week's "all black" episode of Eastenders, what did you think? The Sun argued that the producer's lack of promotion of this historic event somehow watered down the sincerity of the gesture to highlight race relations in the UK. My view is that by making a big song and dance about it, they might have turned this great moment into a gimmick, a novelty. Yes, it will go into the archives as a piece of television history and with the anniversary of the Macpherson Report, it was a great way to reinforce that the soap was in touch with the feelings of black people in the UK. Nevertheless, by treating this episode like any other Eastenders episode it guaranteed an audience that could do with hearing about black experiences in the UK. Some might say that it was a lesson in 'our history for our people', but it is important to highlight the programme's diverse audiences who may have actually switched off it if was proclaimed to be an "all black" episode, for fear of being lectured about something that they didn't really care or were concerned about. While Eastenders and television in general can serve well as a vehicle for educating people about social issues, it's primary objective is to entertain (despite Chelsea's painful acting) and provide some light relief at the end of a stressful day. I think the producer's remembered this in their aim not alienate its other audiences and at the same time ensured that we all learnt something together. My opinion, what's yours?
Did Eastenders Punk Out?
Saturday, 14 February 2009
...And they lived Happily Ever After....
...And they lived Happily Ever After....
Sunday, 1 February 2009
Is there a need for 'Ethnic' press?
Is there a need for 'Ethnic' press?
Friday, 16 January 2009
"Computer jee, lock kar diya jaye"
In case you've been stuck under a rock for the last year, I'd thought I'd let you know: Bollywood is taking over the global film industry. Plain and simple. AND I had this post topic sitting in my drafts way before the success of Slumdog Millionaire so I guess I was on the right track. Even though it was British directed and wasn't the traditional 'dance like you're screwing on a light bulb with one hand and patting a child's head with the other' type of film, the Indian theme and connections were at the core and I see a pattern forming. With Steven Spielberg and Will Smith, getting in on the action and stars like Aishwarya Rai, Kareena Kapoor and Abhishek Bachchan becoming increasingly popular, I'm thinking traditional Hollywood needs to watch its back. British Indians are also getting in on the act with Deepak Verma (Sanjay from Eastenders) producing a Ben Stiller type comedy; I predict a spate of others will follow.
But where does that leave the black film industry? How have Bollywood films managed to retain a captive audience willing to pay for cinema tickets and DVDs to the extent that the industry is now challenging one of the oldest, big-money-making institutions in the world? Will we eventually see the same with Nolly/Gollywood?
Lets talk about black Hollywood for now or I'll be here all day. By that I mean, black cultural themes and directors/producers. You remember all those straight to DVD, I mean VHS movies when we were all a little younger. 'How to be a Player', 'Boomerang', 'The Players Club', 'The Wood', 'The Brothers' etc. But what now....will they still be wheeling out Gabrielle Union when she hits 75. The same old, boy meets feisty/angry black woman, breaks her down, they fall in love, an obstacle hits e.g. ex boyfriend, baby mother, shady past, halitosis - they overcome it and voila, movie done. However, I do enjoy myself a bit of Tyler Perry; Why Did I Get Married was thought provoking (the 80-20 rule - get to know) and entertaining at the same time. He's also brought us Madea's Family Reunion, Madea's Class Reunion, Madea Goes to Jail, Madea Tosses Salad, Madea Eats a Biscuit, Madea Takes a Dump, Madea DIES..ok I'm playing, I'll stop. But in terms of mainstream movies its more about black actors and actresses who have made it and feature in typical Hollywood type films - Will Smith, Morgan Freeman, Denzel Washington, Halle Berry (shouldn't Angela Bassett be in that list...I guess that's another post as well).
Perhaps black films can never be mainstream because by their very definition, it is a niche industry with a niche audience. But then you could argue that Bollywood was a niche and now it's on its way to the big time. I'll put it down to its uniqueness, it brings something new to the table while black films, (storylines and all) can easily be replicated perhaps.
As far as the industry being profitable enough to reinvest and grow, I'm not sure. Is it the audience that are to blame, with our pirates and not supporting 'our own'. We'll pay £8 plus to go to the cinema and see 'Sex & the City' but if 'Girlfriends' was doing a feature length film, would you pay £8 then? £6... no? Ok how about £3.50....anyone... £1.20... SOLD! A cinema ticket to see Girlfriends - sold to the person in the back who has no friends and absolutely nothing to do this Friday.
The UK is stepping up though, maybe that is where the black film industry is at now. Noel Clarke, no - I don't have a crush on him or anything MR GS, Skillset are holding numerous schemes and initiatives to get more ethnic minorities into film, young 'indie/Spike Lee-like' directors such as Jesse Lawrence are coming up through BFM's festivals and short film competitions etc. Rio Ferdinand and Ashley Cole are also moving into the film domain; with a film currently in production allegedly featuring 50 Cent, maybe their surplus cash from a weekend of football is the investment that the industry needs to train and subsidise young creatives who have the talent and innovation to think outside the box and create the blockbusters that we need and want. I'm looking forward to the next couple of years.
Your thoughts...
Keep on pushing (Dead Presidents, 1995)
"Computer jee, lock kar diya jaye"
Wednesday, 14 January 2009
Fantasy Ride featured on IFB.
Fantasy Ride featured on IFB.
Sunday, 11 January 2009
Noel Clarke, the Rising Star
What do you think about the film talent in the UK...next post: the black film industry!
Noel Clarke, the Rising Star